Friday evening kitsch

nele-azevego-melting-men-2

Look at you. You’re so cool standing there like that guy in that toothpaste TV ad. Sucking air through your teeth. Staring into the glass and thinking, Why the fuck am I here? You’re thinking, This is how Elvis did it.

You gaze across the maddening hyperspace and still, she’s on the bar stool. She laughs like a schoolgirl with a honeybee up her panties. She laughs like some horny Madonna of the Rocks. Hey, she might actually be horny. And everybody knows it.

And in the back of your mind, you’re asking, Why the fuck am I here?

At the far end of the room,

Staring into my empty glass?

In your head, you say it’s the music. Kruder and Dorfmeister are so 1990s, that tiny boy in your head says, but who cares?

You’ll get laid tonight, the boy in your head says.

Tonight.

You gaze across the space. There are the lasers, the neons crisscrossing, like deathrays. The zombie-teenagers flapping their arms around, scarecrows in a nasty twister. Their eyes stare at nothing. Their faces all sweat and empty.

You gaze across the space and for a little moment, she looks in your direction. Your heart bursts.

You think: It’s time.

Yeah, it’s time.

It’s time to nickname your testicles.

How about, Little Boy and Fat Man?

Alright. Little Boy and Fat Man.

Go ahead. Glide over there and tell her exactly that. Serve her the best pick-up line a guy on this side of town could ever invent.

Tell her exactly what’s in your heart. Say, “Hello. I call my balls ‘Little Boy’ and ‘Fat Man.’”

Then show her the hole on your socks. And your tangerine boxers. Give her a whiff of your minty fresh breath. Because with all things being equal, you’re just a cut above the rest, aren’t you, cowboy?

Then look at your hand. Your testicles have turned into diamonds.

Waiting for the climax

China Financial Crisis Art

Usually, it arrives late: the epiphany
Just after I’ve slain a horde of deadwood, met
A dozen dead ends
And nibbled the noon dust, it comes
Fashionably late and hopelessly futile.
Its face the insipid face
Of my defeat.

Often it kisses me
But only after I’ve dug deep into the mire
And traded my soul with the pebbles
I now toy in my hand and mind.
I am all mouth, all fingers,
All flesh, as it unravels
Unexpectedly
Like some rare oxymoron
Jutting out a bald field of prose.

How can beauty, unfolding, be unjust
And useless? A gift that arrives too late?
A fatal after-thought, a coup-de-grace
Straddling its own casket.

Sometimes, it teases me: salvation
That bears the fate of Sisyphus.
And others:
Van Gogh, Plath, Nietszche, Christ—
Pawns to the reckoning that came too late.

(published in the Sunday Inquirer Magazine, June 22, 2003)

Texticles

huge scrotum

Sometimes words play trick or treat
Their gnomic, mischievous smiles are helixes
Unskeined
On my blank page;

But when
They do emerge from their cryptic tunnels
They are Midas’ herd, silvered, gossamer
Like a kiss, wet, on my seared skin.

Sometimes my pen salivates; I understand the urge
But not the deft interplay of dark and light—
Why tether them to my finite fancy
When boundless are their virile selves?
For bowdlerized, they are sterile witnesses
To unnamed tendencies
That cramp my brain;
With burning wings, otherwise, they flap
Across my skull’s firmament…
Wait, brood, sleep, decay:

And what else would melt
The guilt and sting they bring?

(Published in the Sunday Inquirer Magazine, September 2002)

Fly drowning in a soup of oysters

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Within the lungs’ core, the last gasp
Is plucked; the eyeballs’ frenzied stare,
The minute, fevered breath that stains
The aroma of an otherwise piquant
Soup, is monument of trauma
While the thickening froth furthers its death
This fly
Is me in a day of lethargy.

Shoot to the black, this mind
Is free but wanting—serve
And feed my narcissism whose source
Of fancy fathers my guilt:
I find the Muse fugitive
And absent when the moon is such—
Stagnant thoughts lump my brain
While the soup mocks the insect’s final dance
This fly
Is me in a day of lethargy.

(Published in the PEN & INK, 1999)

Silverfish

grant-cornett-photography

I watched the insect romancing
My page: he was wingless and saddled
With the sureties of his birth—
Of needs that were dendrites
Wrapped around his mind—
Of an understanding
That was less dawn than twilight.

Should I destroy him or not
Was the question that
Badgered me: after all, am I
Not powerful and smarter?
Yet the insect danced
In circles
In loops and in tangents—and scrawled
His name with his piss
And dared me to disagree
As he ate away the fragile edge
Of Eco’s yellowed verity.

(Published in the Sunday Inquirer Magazine of the Philippine Daily Inquirer, June 30, 2001)